Sir Philip Rookwood is the disgrace of the county. He’s a rake and an atheist, and the rumours about his hellfire club, the Murder, can only be spoken in whispers. (Orgies. It’s orgies.)
Guy Frisby and his sister Amanda live in rural seclusion after a family scandal. But when Amanda breaks her leg in a riding accident, she’s forced to recuperate at Rookwood Hall, where Sir Philip is hosting the Murder.
Guy rushes to protect her, but the Murder aren’t what he expects. They’re educated, fascinating people, and the notorious Sir Philip turns out to be charming, kind—and dangerously attractive.
In this private space where anything goes, the longings Guy has stifled all his life are impossible to resist...and so is Philip. But all too soon the rural rumour mill threatens both Guy and Amanda. The innocent country gentleman has lost his heart to the bastard baronet—but does he dare lose his reputation too?
New York Times bestselling author Elizabeth Hoyt brings us the first book in her sexy and sensual Greycourt Series!
Freya de Moray is many things: a member of the secret order of Wise Women, the daughter of disgraced nobility, and a chaperone living under an assumed name. What she is not is forgiving. So when the Duke of Harlowe, the man who destroyed her brother and led to the downfall of her family, appears at the country house party she's attending, she does what any Wise Woman would do: she starts planning her revenge.
Christopher Renshaw, the Duke of Harlowe, is being blackmailed. Intent on keeping his secrets safe, he agrees to attend a house party where he will put an end to this coercion once and for all. Until he recognizes Freya, masquerading among the party revelers, and realizes his troubles have just begun. Freya knows all about his sins-sins he'd much rather forget. But she's also fiery, bold, and sensuous-a temptation he can't resist. When it becomes clear Freya is in grave danger, he'll risk everything to keep her safe. But first, he will have to earn Freya's trust...by whatever means necessary.
A heartwarming stand-alone novella from New York Times bestselling author Elizabeth Hoyt!
Adam Rutledge, Viscount d'Arque, really rather loathes Christmas. The banal cheerfulness. The asinine party games. And, worst of all, the obligatory trip to the countryside. His grandmother, however, loves the holiday---and Adam loves his grandmother, so he'll brave the fiercest snowstorm to please her. But when their carriage wheel snaps, they're forced to seek shelter at the home of the most maddening, infuriating, and utterly beguiling woman he's ever met . . .
Sarah St. John really rather loathes rakes. The self-satisfied smirks. The sly predatory gazes. Oh, and the constant witty banter rife with double meaning. But in the spirit of the season, she'll welcome this admittedly handsome viscount into her home. But as the snowstorm rages, the Yule log crackles, and the tension rises, Sarah and Adam find themselves locked in a fiery, passionate kiss. If love is the true meaning of Christmas, it's the one gift this mismatched pair can't wait to unwrap.
In which experienced West End actress Freddy Carlton takes on an Austen-inspired play, a scandal at a country estate, an enthusiastic search for a passion outside of acting…and the (some people might say icy*) heart of London’s most feared theater critic.
*if those people were being nice
Freddy Carlton knows she should be focusing on her lines for The Austen Playbook, a live-action TV event where viewers choose the outcome of each scene, but her concentration’s been blown. The palatial estate housing the endeavor is now run by the rude (brilliant) critic who’s consistently slammed her performances of late. James “Griff” Ford-Griffin has a penchant for sarcasm, a majestic nose and all the sensitivity of a sledgehammer.
She can’t take her eyes off him.
Griff can hardly focus with a contagious joy fairy flitting about near him, especially when Freddy looks at him like that. His only concern right now should be on shutting down his younger brother’s well-intentioned (disastrous) schemes—or at the very least on the production (not this one) that might save his family home from the banks.
Instead all he can think of is soft skin and vibrant curls.
As he’s reluctantly dragged into her quest to rediscover her passion for the stage and Freddy is drawn into his research on a legendary theater star, the adage about appearances being deceiving proves abundantly true. It’s the unlikely start of something enormous…but a single revelation about the past could derail it all.