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Jackpot Cover
Synopsis from the Creator:

From the author of the #1 New York Times bestseller Dear Martin--which Angie Thomas, the bestselling author of The Hate U Give, called "a must read"--comes a pitch-perfect romance that examines class, privilege, and how a stroke of good luck can change an entire life.

Meet Rico: high school senior and afternoon-shift cashier at the Gas 'n' Go, who after school and work races home to take care of her younger brother. Every. Single. Day. When Rico sells a jackpot-winning lotto ticket, she thinks maybe her luck will finally change, but only if she--with some assistance from her popular and wildly rich classmate Zan--can find the ticket holder who hasn't claimed the prize. But what happens when have and have-nots collide? Will this investigative duo unite...or divide?

Nic Stone, the New York Times bestselling author of Dear Martin and Odd One Out, creates two unforgettable characters in one hard-hitting story about class, money--both too little and too much--and how you make your own luck in the world.

Love In Panels' Review:

www.loveinpanels.com/prose/jackpot


The Austen Playbook Cover
Synopsis from the Creator:

In which experienced West End actress Freddy Carlton takes on an Austen-inspired play, a scandal at a country estate, an enthusiastic search for a passion outside of acting…and the (some people might say icy*) heart of London’s most feared theater critic.

*if those people were being nice

Freddy Carlton knows she should be focusing on her lines for The Austen Playbook, a live-action TV event where viewers choose the outcome of each scene, but her concentration’s been blown. The palatial estate housing the endeavor is now run by the rude (brilliant) critic who’s consistently slammed her performances of late. James “Griff” Ford-Griffin has a penchant for sarcasm, a majestic nose and all the sensitivity of a sledgehammer.

She can’t take her eyes off him.

Griff can hardly focus with a contagious joy fairy flitting about near him, especially when Freddy looks at him like that. His only concern right now should be on shutting down his younger brother’s well-intentioned (disastrous) schemes—or at the very least on the production (not this one) that might save his family home from the banks.
Instead all he can think of is soft skin and vibrant curls.
As he’s reluctantly dragged into her quest to rediscover her passion for the stage and Freddy is drawn into his research on a legendary theater star, the adage about appearances being deceiving proves abundantly true. It’s the unlikely start of something enormous…but a single revelation about the past could derail it all.


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