Amira Khan has no plans to break her no-dating rule.
Thirty-year-old engineer Amira Khan has set one rule for herself: no dating until her grad-school thesis is done. Nothing can distract her from completing a paper that is so good her boss will give her the promotion she deserves when she returns to work in the city. Amira leaves campus early, planning to work in the quiet basement apartment of her family’s house. But she arrives home to find that her grandmother has rented the basement to . . . a barbershop quartet. Seriously? The living situation is awkward: Amira needs silence; the quartet needs to rehearse for a competition; and Duncan, the small-town baritone with the flannel shirts, is driving her up the wall.
As Amira and Duncan clash, she is surprised to feel a simmering attraction for him. How can she be interested in someone who doesn’t get her, or her family’s culture? This is not a complication she needs when her future is at stake. But when intolerance rears its ugly head and people who are close to Amira get hurt, she learns that there is more to Duncan than meets the eye. Now she must decide what she is willing to fight for. In the end, it may be that this small-town singer is the only person who sees her at all.
He's the bad-boy biker. She's the good girl working in her family's Indian restaurant. On the surface, nothing about Trucker Carrigan and Pinky Grover's instant, incendiary, attraction makes sense. But when they peel away the layers and the assumptions—and their clothes—everything falls into place. The need. The want. The light. The laughter. They have more in common than they ever could've guessed. Is it enough? They won't know until they take a chance on each other—and on love.