Megan Harper is the girl before. All her exes find their one true love right after dating her. It's not a curse or anything, it's just the way things are. and Megan refuses to waste time feeling sorry for herself. Instead, she focuses on pursuing her next fling, directing theater, and fulfilling her dream school's acting requirement in the smallest role possible. But her plans quickly crumble when she's cast as none other than Juliet--yes, that Juliet--in her high school's production. It's a nightmare. Megan's not an actress and she's certainly not a Juliet. Then she meets Owen Okita, an aspiring playwright who agrees to help Megan catch the eye of a sexy stagehand in exchange for help writing his new script. Between rehearsals and contending with her divided family, Megan begins to notice Owen--thoughtful, unconventional, and utterly unlike her exes, and wonders: shouldn't a girl get to star in her own love story?
In which experienced West End actress Freddy Carlton takes on an Austen-inspired play, a scandal at a country estate, an enthusiastic search for a passion outside of acting…and the (some people might say icy*) heart of London’s most feared theater critic.
*if those people were being nice
Freddy Carlton knows she should be focusing on her lines for The Austen Playbook, a live-action TV event where viewers choose the outcome of each scene, but her concentration’s been blown. The palatial estate housing the endeavor is now run by the rude (brilliant) critic who’s consistently slammed her performances of late. James “Griff” Ford-Griffin has a penchant for sarcasm, a majestic nose and all the sensitivity of a sledgehammer.
She can’t take her eyes off him.
Griff can hardly focus with a contagious joy fairy flitting about near him, especially when Freddy looks at him like that. His only concern right now should be on shutting down his younger brother’s well-intentioned (disastrous) schemes—or at the very least on the production (not this one) that might save his family home from the banks.
Instead all he can think of is soft skin and vibrant curls.
As he’s reluctantly dragged into her quest to rediscover her passion for the stage and Freddy is drawn into his research on a legendary theater star, the adage about appearances being deceiving proves abundantly true. It’s the unlikely start of something enormous…but a single revelation about the past could derail it all.
Nate wasn’t made to be monogamous, a fact he never fails to disclose to his partners. No matter how much he loves the women he’s with, he sees potential in others. Does that make him a horrible person? His on-again, off-again lover and current co-star, Deb, certainly thinks so.
But his other co-star, Joshua, understands. Joshua, who’s fast becoming the best friend Nate ever had, doesn’t even mind when Nate hooks up with his wife, Sherry. Well, he does mind a little, but only because he has the hots for Nate himself.
Nate’s always known he’s polyamorous, but is he also bi? He loves being with Joshua. He loves being with Sherry. He definitely loves being with Joshua and Sherry together. Can he make the transition from loves-being-with to just-plain-loves? And even if he can, how does he fit into another couple’s relationship?
Meanwhile, the situation with Deb is growing ever more toxic, the future of their show is at stake, and not all of Nate’s friends are on board with the whole poly/bi thing. It’s a minefield Nate can only navigate with the help of one very special man.
Content warning for alcoholism. This book describes an open relationship that remains open after a romantic bond is formed. It’s not suitable for readers who consider open relationships to be cheating. This book includes both M/F and M/M loving.