The classic romance from the team behind Lady Killer is back in print with a brand new hardcover edition! Now in a larger size, and featuring excerpts from the original script, this 10-year anniversary edition is perfect for fans of Fresh Romance. Twelve vignettes reveal the story of young couple Gwen and Evan's tumultuous relationship, one small piece at a time. It all adds up to an unforgettable romance rife with drama, humor, and heart.
At its simplest, this is the story of a relationship in 12 vignettes. They are presented out of order, which can be confusing during the first read. I haven't designated this "definitely a romance" because the story doesn't follow a traditional romantic arc. I was left feeling a bit heartbroken. The romance and love are certainly there, rendered beautifully, but there's also a lot of heartache and a very realistic look at why this one relationship fell apart.
Travis and Charley have just met. It’s Charley’s last night in town, and Travis can’t let her leave without getting her to go on a date. In a future where real people are rapidly being supplanted by lifelike androids, sometimes one shot is all you get. Intelligence may be artificial, but the emotion is real in a futuristic romance from the writer of 12 Reasons Why I Love Her and the cartoonist behind Between Gears.
From JONATHAN LUNA (THE SWORD, GIRLS, Spider-Woman: Origin) and SARAH VAUGHN (Sparkshooter, Ruined) comes ALEX + ADA, a sci-fi drama set in the near future. The last thing in the world Alex wanted was an X5, the latest in realistic androids, but after Ada is dropped into his life, he discovers she is more than just a robot and takes a huge risk to unlock Ada so she can think for herself and explore life as a sentient android. Can they survive the consequences?
Available as 3 volumes, 15 issues, or 1 complete Deluxe Edition.
A guest review from Matt (that's Love In Panels's tech-wizard):
ALEX + ADA is a single single science-fiction romance that spans three volumes. It takes place in a world that you can see in the not-too-distant future, which makes the conflicts seem more real and plausible. Instead of iPhones, we have a network that can be implanted directly into your brain; some people love it, but some older people prefer the more personal touch of a video call to relatives. Just like today, but advanced so that I'm one of the old people.
The male protagonist, Alex, is somewhat heartbroken, slogging through life in an office job. His well-meaning grandmother decides to send him a lifelike robotic Tanaka corporation companion, Ada. He's immediately put off by the idea, and with good reason. A few years back, there was a robot that achieved sentience and went on a killing spree. It's not the killing spree that frightens Alex - it's the fact that this creature, who must obey his every command, might be sentient, and completely unable to grant consent. The treatment of women is definitely a prominent thread through the entire series.
Alex decides not to return the unit - something he considers to be a moment of weakness. He starts to frequent internet forums where people discuss how to "unlock" the sentience within a Tanaka robot. When Ada wakes up, neither Alex, nor the world, are ready for what happens next.
The first volume is a story of emotional exploration and confrontation of bigotry. Lifelike robots fall into the concept of the "Uncanny Valley," and make some people extremely uncomfortable. They're all tattooed so that they can't be mistaken for a "real" person. The second volume deals with the social strain of someone trying to pretend to be something they're not - Alex and Ada have broken the law by unlocking her sentience, and Ada has a huge struggle ahead of her as an illegal entity. This volume is much more centered on her than on the romance. The final volume is much faster paced than the prior two, and relatively violent (compared to the rest of the series). This should not be mistaken for rushing the ending (as many comics do) - it feels well-planned and is the end of a steady accelerative curve. Their illegal actions have real world consequences, and the ending was definitely not what I expected, but gives a really great perspective.
It's a very delicate romance that blooms between Alex and Ada, as they didn't meet in the best of circumstances. One partner has trouble treating the other as anything but a child; the other has difficulty with the brand new emotions she's capable of. Somehow, with a lot of reliance on their mutual friends, they're able to work through. The ending is satisfying and heartwarming.
The artwork is very straightforward, and simple enough to convert the messages. It's a very sanitized future, which fits in well with so many of the themes. There's a similarity between the sanitization of AI and the meticulous nature of streets, offices, houses. The robots aren't the only AI creatures, and the remaining AI force keeps everything well-groomed, and you can feel it. This also leaves the facial features of many of the characters feeling a little bland, but it's made up for in body language.
Overall, I can definitely recommend this to fans of science fiction, romance, or both!
Issue #1 is out now, with Issue #2 looking to Kickstart in Nov 2017
In a world where vampires and demon ilk are very, very real, two agencies work to keep the world safe from the forces of darkness. Demon Eradication And Denial (DEAD LLC) is a corporate entity that charges itself with the training and employment of demon slayers – specialists in combating magical beings. Living Corpses that Bite (LC & B) is a tax exempt public entity that relies on time proven traditions to keep humanity safe from vampires. When hunting evil evolved into blue collar work, the evil had to evolve.
Recent evidence suggests vampires have learned to use magic, meaning they’re more than just a nightly threat. For the first time since their inception, DEAD LLC and LC & B will have to join forces. Which means, for the first time since their bitter break up, Alexandra Priest and Janelle Garcia will have to face one another – or risk an apocalypse. No pressure.
Will Ares, a successful divorce lawyer, find himself working alongside Gigi Averelle, a wedding planner, when their respective clients — movie producer Evans Beatty and Hollywood starlet Carrie Cartwright — plan to marry. As Beatty's ex-wives come out of the woodwork to cause mayhem, Gigi and Will make a bet — Gigi agrees to go on a date with Will if Evans and Carrie really do go through with the wedding. Should they break up, however, Will must reveal, in a full-page newspaper ad, how many marriages he's ruined. Is Will a fool for love, or is this the start of a beautiful relationship
In both sci-fi and fantasy and comics there is a long history of allegorical and implied queerness—using the trappings of genre to code characters and themes as queer while keeping them superficially straight enough to not make waves, or queering them in ways tied to their general otherness (like gender-flexible shapeshifters or gay aliens from single-sex species). Queer representation is better now than it was in even the recent past, but we want more. We want to see people like us as heroes—slaying dragons, piloting spaceships, getting into trouble, and saving the day—without having to read their queerness from between the lines. We want to see beautifully crafted stories in the mediums and genres we love, that reflect and celebrate our own experiences of gender and sexuality. So we’ve decided to do it ourselves. We’re assembling, crowdfunding, and publishing an anthology of the comics we want to read: science fiction and fantasy exploring and showcasing queer characters, themes, and relationships, from a broad spectrum of world-class creators. Beyond is a black-and-white comic anthology of 18 original science fiction and fantasy comics. The first volume was successfully crowdfunded through Kickstarter and completed in 2015, and the second volume: post-apocalypse and urban fantasy edition is taking shape in 2016. -Sfé Monster, Editor
(Volume 2 reached funding today, 5/11/17!)
Wynn is struggling to survive when the Immortal Swigne gives Wynn their Blessing. The only explanation Swigne gives is that Wynn now has “Power”.
Wynn meets people Blessed by other Immortals that can help guide them. In searching for knowledge of their new gift Wynn finds love, friendship and a more full sense of self identity. Wynn learns that being Blessed is a gift with a price tag of responsibilities and constant hunger attached, but the pay off is fantastic strength and the resources they’ll need to thrive in the world they live in. As long as Wynn keeps overcoming the challenges their new status brings them.
Originally published in French as Le bleu est une couleur chaude, Blue is the Warmest Color is a graphic novel about growing up, falling in love, and coming out. Clementine is a junior in high school who seems average enough: she has friends, family, and the romantic attention of the boys in her school. When her openly gay best friend takes her out on the town, she wanders into a lesbian bar where she encounters Emma: a punkish, confident girl with blue hair. Their attraction is instant and electric, and Clementine find herself in a relationship that will test her friends, parents, and her own ideas about herself and her identity.
Vividly illustrated and beautifully told, Blue Is the Warmest Color is a brilliant, bittersweet, full-color graphic novel about the elusive, reckless magic of love. It is a lesbian love story that crackles with the energy of youth, rebellion, and desire.
First published in French by Glenat, the book has won several awards, including the Audience Prize at the Angouleme International Comics Festival, Europe's largest.
BLUE IS THE WARMEST COLOR was recommended to me by an instructor as a masterwork of sequential art, so when I picked it up, I had high expectations. It's also won several awards and been made into a movie, which is rare for non-cape graphic novels.
It's a lesbian coming-of-age story that starts and ends with pain, but the romance is beautiful and immensely moving. I was reminded of the work queer communities have done to get us to this place of openness. Yes, there's much work to be done, particularly with and for the trans community and for PoC in queer spaces. But to be taken back to the not-so-distant past as we follow Clementine through her journey of self-awareness and self-acceptance in the 90's? Oof. Spoiler: Clem's parents kick her out at age 17 when they find out her best friend is really her lover. I know that still happens today, but maybe a little less frequently? I can't speak to gay culture in France today, but in the US it's improved.
This is one of those stories in which one of the queer protagonists dies, but it's not because she's queer. This isn't a spoiler - the book opens with Emma visiting Clem's estranged parents following the funeral for Clem. Most of the narrative is told as written in Clem's handwritten journal, giving Emma and the reader a look at Clem's emotional journey. I was weeping at the end of the book, but I'm not sorry to have read it. It's not going to give you the feeling of Brokeback Mountain or other stories that mine gay pain for emotional power.
As for the art, Julie Maroh makes interesting and successful choices throughout. The only pop of color in the book is blue. Several pages have no written dialogue, giving facial expressions and action more weight. Maroh gives readers close-ups of Clem's smile after her first positive sexual interaction. We can feel the joy with her, just as we later feel her intense sadness. Emma is best depicted in the opening and closing scenes of the book, after Clem has passed on. Only then is Emma given the freedom to have her own story told, which makes sense considering that the entire middle is from Clem's POV.
TL;DR - this is an excellent book. I'm glad I read it. It's not a traditional romance, since there isn't a Happily Ever After, but considering that the two protagonists have a solid 13 happy years together? I'm willing to bend my definition.
The story of Bonnie N. Collide, a roller-girl, and the adventures she has at a humdrum day job. Bonnie’s inability to separate her vibrant roller derby life from her normal working life means she gets to gleefully crash from one aspect of her life into another, seamlessly, and using the same amount of gusto. Oh, and one of her coworkers is a werewolf named Herb.
Bonnie N. Collide is a strip-based romantic comedy, full of roller derby and office hijinks. Bonnie is wonderfully wacky, and Stuart plays a charmingly awkward straight man to balance her off-the-wall antics. Their romance is awkward and slow to develop, but charming, and the cast of secondary characters (including a werewolf?) adds depth and humor to what would otherwise be a very sitcom-y strip. A nice light comic to read after a hard day.
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Boy, I Love You is a comics anthology celebrating the boys' love genre. Seven stories from seven creators will introduce you to radio hosts, models, mecha pilots, & scientists, and the challenges they’ll face at the intersection of life & love. Boy, I Love You features the work of Aatmaja Pandya, Kou Chen, Shivana Sookdeo, Emily Forster, Marlena Konglau, Eric Alexander Arroyo, and S.M. Vidaurri, with a cover by Caelin Cacciatore.