The True Queen Cover
Synopsis from the Creator:

In the follow-up to the "delightful" Regency fantasy novel ( Sorcerer to the Crown, a young woman with no memories of her past finds herself embroiled in dangerous politics in England and the land of the fae.

When sisters Muna and Sakti wake up on the peaceful beach of the island of Janda Baik, they can’t remember anything, except that they are bound as only sisters can be. They have been cursed by an unknown enchanter, and slowly Sakti starts to fade away. The only hope of saving her is to go to distant Britain, where the Sorceress Royal has established an academy to train women in magic.

If Muna is to save her sister, she must learn to navigate high society, and trick the English magicians into believing she is a magical prodigy. As she's drawn into their intrigues, she must uncover the secrets of her past, and journey into a world with more magic than she had ever dreamed.

Review: The True Queen, by Zen Cho

[fa icon="calendar"] Apr 5, 2019 9:45:00 AM / by Margrethe

One day, I will understand why Zen Cho’s fantasy world works for me. There is a reason that this might be the first fantasy novel I’ve reviewed. Fantasy and I are those friends who only get along under very specific conditions, but we don’t know what those are and get annoyed if you ask us why. We roll our eyes at each other unless we’re talking about Zen Cho.

A very important thing I will tell you is that while we are all bouncing around talking about how queer this book is and how there is eventually an f/f pairing, The True Queen is not a romance. There is the lightest dash of romance to it, but for our protagonists, it all comes at the end. Another important thing is that I am a believer that this is probably best enjoyed if you have read Sorcerer to the Crown. It might be able to stand alone, but when you get the good news about a secondary couple, you won’t end up smiling like I did for twenty minutes in traffic. (It was very good news for my shipper heart.) 

Anyway, the book is about Muna and Sakti, who have washed up on a beach on Janda Baik without any knowledge of who they are except that they are sisters. Sakti has an abundance of magic, and Muna has none. They are sent to England (and the Sorceress to the Crown, Prunella Wythe) to seek out help for breaking the curse that afflicts them and to learn English magic, except Sakti goes missing in the fairy realm during their journey. Muna continues on to England and pretends to have magic as she seeks a solution. In England, she befriends Henrietta Stapleton, a teacher at Prunella’s school for magiciennes. After a friend of Prunella’s is taken hostage in the fairy realm, Henrietta and Muna embark on a quest to free him and also to find Sakti. 

Cho writes fantasy in a way that resembles Georgette Heyer (if she wrote dragons) except without the bigotry and from the perspective of the colonized. She writes fantasy that centers marginalized people and makes them the heroes and victors. And I adore that. Her goal in these two books seems to be showing marginalized people not only at the forefront of Regency England, but also at the center of everything. Details on this claim amount to spoilers, so I’m zipping my lips.

The book, like its predecessor, never swerves away from the bigotry of the time. It is there for you to stare at and understand because the characters have to live with the racism, misogyny, and homophobia. And yet, no one is defeated by the hatred they are forced to live with. They overcome and move on with their missions. They are the heroes.

No matter how much I love this book, it is fair to say that it has a slow start. I have tried to decide if it’s just a matter of getting accustomed to the language or the story just starting slow or both, and I don’t have an answer. I will note that Sorcerer to the Crown is a book I reread and my love for it grows the more often I do. There are facets that only come into view when you’ve seen the whole. I imagine this will be true of The True Queen too.

And here I leave you with a book that is not a romance, but contains one, and is one of the queerest and most diverse Regency-set fantasies you may ever read.



Content warnings: bigotry directed at the main characters, violence (nothing graphic)

Topics: review