Lady “Poppy” Pyppenia is guarded by the Sleepless Knight Cyrenic, but becomes endangered when an assassin threatens her life in the new king’s reign. As Poppy and Cyrenic try to discover who wants her dead, they must navigate the dangerous waters of life at court, and of their growing feelings for one another. Writer Sarah Vaughn (ALEX + ADA, ETERNAL EMPIRE) and artist Leila del Duca (SHUTTER, AFAR) team up with editor / colorist Alissa Sallah and letterer Deron Bennett for this fantasy romance.
Review from Issue #1:
SLEEPLESS is a love story with a black princess (kind of) and her bodyguard who has sworn to not sleep (I think) in order to be her guard 24/7. It's written and illustrated by some really talented women. If you aren't sold yet, get thee to your local comic shop and flip through it.
The costuming looks renaissance-ish, with voluminous sleeves, high waistlines and billowing skirts and cloaks. The colors are rich and dark and it opens in a CRYPT. One of the first panels shows the two protagonists walking down a dark hallway full of bones, lit by a torch held aloft by the disembodied forearm bones of... someone.
It's spooky as all heck, but the two soon ascend to a coronation, where Poppy has to present a gift to the man replacing her late father, the former king. We quickly learn that all is not well, both because of her obvious apprehension about the coronation and because of looks and whispers as she approaches the throne. Her father's wife (not her mum) offers to take her away where she will be safe, but she says she needs to stay for her mother's return. Lastly? She's nearly assassinated.
And then it ends.
It's a hell of an issue and left me with so many questions. Who is trying to kill her and why? What's the history with her guard? Where is her mother and what is she doing there? In short - what is going on?! I can't wait to see what's next.
ADULTS ONLY My Monster Boyfriend brings three new elements to the Smut Peddler series: full color, longer stories, and a focus on not-exactly-human men! We're offering ten tales of fantastic fornication, written and illustrated by some of the most talented women in comics.
Hold on. It's about to get weird.
http://www.loveinpanels.com/comics/rewind-smut-peddler-presents-my-monster-boyfriend
If you'd like to buy a copy of this book, please consider buying directly from Iron Circus (only place outside of Kickstarter to get the digital version) or using one of these affiliate links to support the site: Amazon ◊ Bookshop ◊ Barnes & Noble
It only gets better with age! The latest in the Smut Peddler series of high-end erotic anthologies, Silver shines the spotlight on grande dames and silver foxes. Whether you’re drawn to graying hair or eyes that sparkle with wisdom, this collection of spicy sci-fi, fiery fairy tales, and all manner of down-to-earth fantasies is exclusively for those with a taste for experienced hands.
From Vol. 1:
This first volume of the ongoing Spellbound series initiates us into Dufaux and Munuera’s Medieval-style fantasy land, a land brimming with witchcraft, demons, enchantments and foul-play. The whole of Middleland has been thrown into turmoil by the sudden and brutal murder of the king. The unfortunate victim’s dying wish was that his daughter, Blanche, should take the throne, rather than her weak-spirited brother. Thus Blanche finds herself catapulted into a position of power that she never expected, or even wished for. The grief-stricken young woman is forced to renounce her lover, and on top of that, the enemy’s army is assembled at the country’s border, poising to strike. Blanche looks like she’s off to a promising start as queen of the land, but unfortunately she’s no match for the various plots to topple her… at least, not yet…
This is a hard one to review, as I both loved and hated pieces of it. Each of the four volumes is 50-60 pages, combining for something close to graphic novel length. Each of the volumes is a distinct arc, but the overall story isn't complete until the last two pages of volume 4.
Here's the part I hated: there is no Happily Ever After. That's the covenant that the Romance genre has with its readers, and since it's been broken here, I have rated this as "romantic elements" and not "definitely a romance."
The first book opens with Blanche leaving her lover, Gaspard, because she has been called upon to serve her kingdom as the new queen. He takes it very poorly and visits an evil witch, Miranda, to put a curse on her.
Bad Things happen. Miranda is evil, after all. Blanche's brother is also evil, as is her mother. Everyone is evil, basically. Eventually, Blanche meets Maldoror, the prince of the World Below (hell) and he's very much a Lucifer archetype. He's blond and handsome and they fall in love. He helps her while everyone is scheming against her, she brings him back with a kiss from a magically-induced coma. Very standard fantasy/fairytale stuff. I'm going to try not to give spoilers here, but it's clear from about halfway in that Blanche is becoming everything she hates. She's becoming violent and untrusting and... kind of evil, herself. It could be argued that she's never actually a "good" character to begin with, but the reader does start out this journey giving her the benefit of the doubt.
In the first two volumes, I had serious issues with the portrayal of Blanche's scheming brother. He's a hunchback, and the story was falling into that ableist trap of making the disabled character evil... because he's disabled. The mother was similarly one-dimensional, as was the witch, Miranda. I was starting to feel like every "bad guy" in the book was going to be female or disabled. Not cool. Enter the advisors and "allies." We got a whole bunch of evil, white, able-bodied men. It became clear to me that maybe this was a story in which no one is actually good, which somehow bothered me less. Equal-opportunity evil, or somesuch thing.
In the end, I don't know if I can recommend this to romance readers or not. There are some stunningly romantic moments, a few interesting magical events, and many, many battles. As a French-to-English translation, some nuance may have been lost, but I think the art manages to convey the emotion and magic of the tale adequately. If you need an HEA, don't pick this up. If you want to see an anti-heroine killing lots of people and not ever being slut-shamed? This might be for you.
An ex-soldier joins a group of thieves in a desperate attempt to find a new home.
The Kalvivan thief system seem to have it all together, but when a band of outsider thieves appear, bent on wresting the city from the the system, will they be able to defend their own?
Queer themes.
Recommended rating 16+ for sexual content, language, violence and blood.
Buy it at your local shop!
Blue is having a hard time moving on. He’s in love with his best friend. He’s also dead. Luckily, Hamal can see ghosts, leaving Blue free to haunt him to his heart’s content. But something eerie is happening in town, leaving the local afterlife unsettled, and when Blue realizes Hamal’s strange ability may be putting him in danger, Blue has to find a way to protect him, even if it means… leaving him.
This review is a bit late, since the 6 year old living in this household stole my copy of TAPROOT and ran off with it for a week. When I finally snagged it back and immersed myself in the beautiful, eerie world that Keezy Young created, I completely understood the 6 year old's urge to read it over and over.
Pitched as "a story about a gardener and a ghost," TAPROOT is part love story, part ghost story, part spooky fantasy. If, like me, you don't love horror but do love Halloween, this book is perfect for the season. There's a lot of eeriness to be had, particularly when Blue (the ghostie) starts being pulled through the veil. Said eeriness is balanced with beautiful verdant plant imagery and a sweet love story that transcends the limits of space and physical vitality. Without giving a spoiler, I'll warn romance readers that the HEA isn't what you probably expect/hope for in a romance.
You'll notice that I let my 6 year old read it - it's definitely something you can give to kids to read. There's a kiss, there's a bit of spooky, and some peril at one point, but it's very cute and the ghosties are kids and teens.
As for the art, you can get a pretty clear idea of Keezy Young's style based on the cover. The book is in color, with a palette of greens and browns and a muted blue that suit the book's themes of nature and life. It's a style that will either appeal to readers or be sort of "meh," and I think I fit into the latter category. The story, however, resonated with me enough that I eventually settled into the art style and ended up loving the book as a whole.
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An Atlantis-like city from Celtic legend is the setting of The Daughters of Ys, a mythical graphic novel fantasy from National Book Award winner M. T. Anderson and artist Jo Rioux.
Ys, city of wealth and wonder, has a history of dark secrets. Queen Malgven used magic to raise the great walls that keep Ys safe from the tumultuous sea. But after the queen's inexplicable death, her daughters drift apart. Rozenn, the heir to the throne, spends her time on the moors communing with wild animals, while Dahut, the youngest, enjoys the splendors of royal life and is eager to take part in palace intrigue.
When Rozenn and Dahut's bond is irrevocably changed, the fate of Ys is sealed, exposing the monsters that lurk in plain view. M. T. Anderson and Jo Rioux reimagine this classic Breton folktale of love, loss, and rebirth, revealing the secrets that lie beneath the surface.
Before he met Batman, Dick Grayson discovered the power of young love-and its staggering cost-at the magical Lost Carnival.
Haly's traveling circus no longer has the allure of its glamorous past, but it still has one main attraction: the Flying Graysons, a family of trapeze artists featuring a teenage Dick Grayson. The only problem is that Dick loathes spending his summers performing tired routines for dwindling crowds.
When the Lost Carnival opens nearby and threatens to pull Haly's remaining customers, Dick is among those drawn to its nighttime glow. But there are ancient forces at work at the Lost Carnival, and when Dick meets the mysterious Luciana and her nomadic family, he may be too mesmerized to recognize the danger ahead.
Beneath the carnival's dazzling fireworks, Dick must decide between who he is and who he wants to be-choosing either loyalty to his family history or a glittering future with new friends and romance. Author Michael Moreci and illustrator Sas Milledge will suspend readers from a tightrope in this graphic novel, redefining Dick Grayson for a new generation.
Our comic was inspired from Tchaikovsky’s “The Swan Lake”. However we have twisted the characters, events, and setting into our own shape and made a story of loyalty, love, duty and greed that we are very excited to share with you all.The comic begins, as fairy-tales so often do, in a faraway land, with mysterious events on the edge of a forest that will put the Prince of the kingdom on the path of an adventure that will forever change his fate, and the fate of two kingdoms.
Leslie J. Blair is a simple pig girl, she loves sushi and she is trapped in a job that she hates. She lives with Trish, her best friend. In her world, which is full of anthropomorphic creatures, with a totalitarian government that interferes in the personal lives of its citizens, up to the point of allowing only relationships between individuals of the same race. The transgressors are punished. They are accused of being... unnatural!
Leslie dreams of something different for herself. But these dreams are becoming dangerous, especially because they feature a mysterious wolf. And, when she wakes up, she thinks that she is being watched... And, as if that were not enough, on the day of her twenty-fifth birthday, Leslie receive an email that she would never have wanted to receive.
But she still does not know it's just the beginning...
The hit Italian comic, a fantasy, erotica, romantic suspense series by MIRKA ANDOLFO (Wonder Woman, Harley Quinn, DC Comics Bombshells) will bring you in a colorful but terrible world, where personal freedoms are superfluous. Follow Leslie on a breathtaking plot, between thriller and fantasy with a touch of sensuality.